November 2012 14 posts

Sunday Monday Tuesday Wednesday Thursday Friday Saturday

01

02

03

04

05

A Prediction about Presidential Predictions

06

New York Magazine: The City and the Storm

07

08

Evernote Alone

09

10

11

12

13

The People vs. James BondBeauty Is Embarrassing

14

Bean: A Counting AppKohei Nawa

15

Pitchfork: Musician Damon Krukowski on Earning Money via Pandora and Spotify

16

17

Floor Charts

18

Bloc for Apple TV

19

iPad Case from The Good Flock

20

When Billboards RockedStream Larry Clark’s Latest Film in the Next 24 Hours Only

21

Times Square at Night

22

23

24

25

26

27

28

29

30

Wed 21 Nov
2012

Times Square at Night

6:55 AM

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Unexplained fantasy image by Studi Lindfors. See full size at Flickr.

Tue 20 Nov
2012

When Billboards Rocked

7:37 PM

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“Photographer Robert Landau started documenting the billboards of L.A.’s Sunset Strip in the 1970s, and has published a book collecting together images of some of the most iconic LA billboards of the 70s and 80s.” More examples at Creative Review.

Stream Larry Clark’s Latest Film in the Next 24 Hours Only

Photographer and director Larry Clark’s new film, “Marfa Girl,” is pushing the envelope on digital distribution. Not only will it not be screened in theaters, but it won’t even be available on Blu-Ray or DVD either. You can stream it from Clark’s Web site for US$5.99 — but only for twenty-four hours, starting about two hours ago. After that, it’s gone, or so Clark claims. I find it hard to believe that “Marfa Girl” won’t eventually show up on disc or become continually available for paid download or streaming at some point in the future, but as marketing gimmicks go, this one caught my attention, anyhow. Read more about it at Slashfilm.

Mon 19 Nov
2012

iPad Case from The Good Flock

This is the nicest and most attractive case I’ve owned for any of my digital devices. It’s made of selvedge denim and has a leather snap closure that’s surprisingly satisfying. I wish they made like it for MacBook Airs too, but they apparently only have a Southwest-style wool one, which I haven’t seen but could be nice too.

iPad Case from The Good Flock

Browse their products at TheGoodFlock.com.

Sun 18 Nov
2012

Bloc for Apple TV

This attractive storage compartment for both the Apple TV and its accompanying remote control is made of solid wood and aims to remedy a very common drawback of digital hardware: it often weighs so little that it’s hard to keep in place. I find that this is true of lots of network hardware: my cable modem, for instance, is so physically sleight that it gets nudged out of place by the inflexibility of its own coaxial cable. The weight of the bloc, along with the grips attached to its bottom, are intended to prevent that kind of slipping.

Bloc for Apple TV

Blocs come in cherry, hard maple and walnut. You can buy yours at Blocs.tv.

Sat 17 Nov
2012

Floor Charts

11:36 AM

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Screen captures of the often crazy presentation charts that lawmakers display during floor speeches. They’re all taken from C-SPAN, and in fact this tumblr is maintained by a C-SPAN employee.

Thu 15 Nov
2012

Pitchfork: Musician Damon Krukowski on Earning Money via Pandora and Spotify

Damon Krukowski of Damon & Naomi and, earlier, of Galaxie 500 walks us through the math of artists’ earnings from streaming music services. This made the rounds quite a bit yesterday when it was published, thanks in no small part to the fact that it’s very well written and chock full of quotable lines and eye-opening figures:

“My BMI royalty check arrived recently, reporting songwriting earnings from the first quarter of 2012, and I was glad to see that our music is being listened to via these services. Galaxie 500’s ‘Tugboat,’ for example, was played 7,800 times on Pandora that quarter, for which its three songwriters were paid a collective total of 21 cents, or seven cents each. Spotify pays better: For the 5,960 times ‘Tugboat’ was played there, Galaxie 500’s songwriters went collectively into triple digits: US$1.05 (35 cents each).”

I have a soft spot for Galaxie 500; their three amazing albums figured prominently into my misspent youth. For my money, the band is responsible for some of the most beautiful music I’ve ever heard. So it’s very disheartening to hear that even artists of that calibre are so ill-served by streaming economics. Read the full column at Pitchfork.

Wed 14 Nov
2012

Bean: A Counting App

Bean is a very simple app for iPhone that lets you increment counters with whatever labels you choose. If you want to remember, say, how many donuts you’ve had this week, just label one of the pre-made counters and tap it each time you scarf one down. If you over-count — or just want to cheat a little bit — a two-finger tap decrements the counter. Easy.

The functionality isn’t earth-shattering, but the interaction design is really nicely done: the counters are arrayed in a colorful grid reminiscent of the Metro design language of Windows, and you pinch and zoom to bring focus to each counter.

Bean

The app debuts today so you can grab it right now for US$0.99. Find out more at the developer’s site.

Kohei Nawa

9:47 AM

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Longtine sculptor Kohei Nawa’s “Trans” series features human silhouettes produced from 3D scanning combined with texture mapping to create abstract, organism-like forms.

Tue 13 Nov
2012

The People vs. James Bond

8:29 PM
Remarks (11)

Last weekend I went to see “Skyfall,” the twenty-third entry in the now fifty year old James Bond franchise.

As an action film, it’s more than adequate, thanks largely to its overqualified crew: it was directed by Oscar winner Sam Mendes, whose name few people expected to see attached to popcorn franchises like this, given his past highbrow features like “American Beauty” and “Revolution Road.” I’m not a big fan of those movies, but they’re easily better entertainments than the majority of what has been issued under the 007 moniker through the decades.

Just as meaningfully, “Skyfall” was shot by one of today’s most accomplished cinematographers, Roger Deakins. The first half of the film features a fight sequence in a Shanghai skyscraper that, thanks to Deakins’ almost audacious stylization, surely qualifies as the most visually stunning Bond scene since Honey Ryder emerged from the sea in “Dr. No.” On its own, it’s almost worth the price of admission.

Beauty Is Embarrassing

A documentary about Wayne White, the artist, cartoonist, animator, painter and co-creator of the iconic “Pee-Wee’s Playhouse.” The film “chronicles the vaulted highs and the crushing lows of a commercial artist struggling to find peace and balance between his work and his art. Acting as his own narrator, Wayne guides us through his life using moments from his latest creation: a hilarious, biographical one-man show.”

Beauty Is Embarrassing

It looks wonderful. I haven’t watched it yet, but it’s just US$7.99 to download, so that could happen really soon. Find out more at the movie’s official site.

Thu 08 Nov
2012

Evernote Alone

7:53 PM
Remarks (3)

Evernote 5 for iOS is new and available in the App Store today. It sports a revised, beautifully executed user interface with a clever, smoothly animated ‘stacked cards’ metaphor. So far, I find it very impressive, especially for an application that has always been, in my view, more useful than elegant.

Evernote 5

Don’t get me wrong. I’ve been a happy Evernote user for some time (since finally giving up the ghost on Yojimbo). It’s true that the product has always struggled with a certain level of awkwardness, but that hasn’t diminished its utility. Evernote is pretty much the only game in town if you want a well-maintained, truly cross-platform note-taking and random bits-collecting app backed by a robust, reliable cloud service. There’s nothing out there that compares.

Why is that, I’ve often wondered? It seems to me that being able to jot notes down quickly and stash away assorted and sundry snippets, pictures and documents, and have them all transparently and instantly synchronized over the Internet would be one of the most universally sought after software solutions out there — and would therefore inspire lots of competition.

Of course, when I write it out like that, it does strike me that it’s a tall order to build such a product. Evernote is not just an app, after all. It’s a full-scale service, too, and replicating even just a few of its client apps would be a major undertaking, to say nothing of building a comparable cloud service. Still, I know I spend a tremendous part of every day in Evernote (I used it to draft this blog post, in fact) and consider it indispensable. I know lots of Evernote users who also feel the same way, and don’t hesitate to tell everyone they know about it. You would think someone else out there would want a piece of that business too.

Tue 06 Nov
2012

New York Magazine: The City and the Storm

11:20 AM

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New York Magazine’s 03 Nov issue is easily a contender for cover of the year: a startlingly expansive shot of Manhattan last week, in the wake of Hurricane Sandy. The shot, taken by Dutch photographer Iwan Baan, captures the eerie darkness that cloaked downtown Manhattan, which went without power most of the week. The magazine’s editors discuss their coverage of the storm and the cover image over at NYMag.com.

Mon 05 Nov
2012

A Prediction about Presidential Predictions

9:26 PM
Remarks (9)

Tomorrow is Election Day, so get out there and vote. Barring any major polling malfunctions, by the end of the day we’ll finally have an answer to the question of who will reside in The White House for the next four years. Almost as interestingly, tomorrow could also mark a definitive change in the way we look at Presidential campaigns, potentially for decades. In particular: if Nate Silver’s ongoing, deeply statistical analysis of the race at Fivethirtyeight turns out to be an accurate predictor of the final outcome, it may alter political punditry for a long, long time.

If you’re not familiar with Silver’s work, it’s probably a reasonable if gross characterization to say that he is a kind of ‘meta-pollster.’ Each day, he surveys the most recent state and national polls, aggregating their results using a sophisticated — but proprietary — statistical model that accounts for such factors as polling methodology, past accuracy and tendency to favor one party or another. The result is what some believe to be an exceedingly accurate picture of who is ‘winning’ at any given stage of the campaign — and, of course, a prediction of who will actually win at the close of Election Day.

Silver began doing this work in the lead-up to November 2008, and produced eye-popping results. His model correctly predicted the winner of forty-nine of the fifty states in the presidential election, and all thirty-five of the senate races held that year.

Whether that was pure luck or not is the question that will be answered when the results of tomorrow’s election are in. If his predictions are largely accurate, it will go a long way towards validating Silver’s approach. It’s my feeling too that if that happens there’s no going back; in at least the next few election cycles, you can expect to see much more attention paid to this sort of statistical evaluation of a campaign’s progress.