Tune in Friday as I take on Nicholas Felton in an exhibit match of Coudal Partners’ Layer Tennis.

Come see me Wed 16 Dec at AIGA New York’s twenty-fifth Fresh Dialogue event.

A look at the design evolution of my WordPress theme.

With its new brand identity, AOL tries to do two very difficult things at once.

How Twitter helped me find new typefaces.

An interview with Armin Vit on the occasion of his book “Graphic Design, Referenced.&#8221

French politicians aim to fix what Photoshop is doing to us, whatever that is.

How we hypothetically redesigned Craigslist for Wired Magazine.

Ill Studio’s beautiful design and art direction for Magazine Issue 47.

A new gallery exhibition opens up tomorrow night at The New York Times building.

In “Public Enemies” and other recent films, director Michael Mann is in fact designing his narratives.

In which I rant in as directionless and messy a fashion as befits the directionless and messy quality of home theater setups.

The John Patrick Shanley film “Doubt” reminded me of how rare a thing is truly intelligent, rewarding typography.

The newly relaunched Muxtape is a test case for extreme minimalism.

Adobe gets clever about insurrection.

Are we pulling our punches too much when it comes to critiquing design? Are we being honest with one another?

This cover for the second record from Swedish chanteuse Frida Hyvönen really shouldn’t work. Except it does.

Of all the great digital ideas at this year’s SXSW, what’s nagged at me most concerns print.

Better late than never: heads up on a terrific gallery show opening tonight at The New York Times building.

Who among us designers would really have said no to this redesign? Plus, usability is a brand attribute, too.

Encountering a new software product for the first time, blow by blow.

A profile of a legendary cinematographer suggest that art direction isn’t much like film direction.

The deceptive sameyness of new typefaces, plus a great one for free.

Game design has been telling me something about my job, and I haven’t been listening.

In trying to do justice to their subject matter, design magazines are effectively publishing periodicals that are primarily saved and only secondarily read.

A hasty survey of Olympics graphics, with special attention paid to the 1972 games.

Does practicing design without art supplies make us more remote than I thought?

A new application I tried recently reminds me of how old-fashioned it is.

How designing interfaces is very much an act of marketing.

To my surprise, Rumplo is an entertaining good time.

Presenting design ideas is fraught with distractions.

A little spacing could do Gmail a lot of good.

A beautiful — and I mean gorgeous — book about galleries in Tokyo.

Unexpectedly, the Wachowski Brothers’ adaptation of “Speed Racer” turns out to be art.

An interview with Alice Twemlow, co-chair of the School of Visual Arts’ new graduate program in design criticism.

Old rock musicians should stop releasing new albums. Or new album covers, at least.

Apple’s presentation software is so good, I used it for print.

Sorry, you can’t get great design out of a big design agency.

Follow-through is everything in consumer-friendly packaging.

How does he get away with it?

Lulu.com makes a convincing case for analog.

Where are the design advocates when a design-savvy company fails?

Come along as I mentally go shopping for new typefaces.

The Shirt Project lets you wear the news beautifully.

The shift from analog to digital sensibilities is a two-way street.

The thrill of seeing one’s name in print remains undiminished.

Rectifying my previously underwhelming attempt at party promotion for Sunday’s AIGA Holiday Party.

“Ladislav Sutnar: Modern, National and International” at the Czech Center.

Why some task management applications are fun and others are not.

Where design books are found at your local bookstore.

My embarrassingly not-so-brief reply to recent articles by Armin Vit and Dan Saffer.

Five clichés I turn to again and again.

Enterprise software as cross-species aberrations of nature.

A report from my three speaking appearances this weekend, including slides.

Exactly why do the icons at this site look the way they do? Because I’m no good at iconography.

Paper companies, paper promotions and being green.

Taking a closer look at how elevator systems are engineered.

Should one even bother to dress like a designer?

A special presentation for a series on China at NYTimes.com.

Where do movie credits belong?

The road to digital design had better be fun, or it’ll lead nowhere.

Some very good design is being wasted on magazines.

The New York Times Magazine sneaks in a lesson on graphic design.

An interview with Blueprint author Olav Frihagen Bjørkøy.

An interview with Stephen Coles on “FontBook.”

How the art of pinball is like the design of experiences.

A new face and voice for the New York chapter.

Digital hardware doesn’t get better the more it gets used.

Calling out some of the lesser gods in our profession.

Real books written by real people I know.

More thoughts on the Ikea experience, plus funnies!

What Bono taught me about my apartment and Ikea.

The future of riding elevators is here. If we can just work the kinks out.

What exactly does it take to get ahead in this profession?

The nuances of aligning elements on a layout grid for digital design.

Awesome talent on display at tonight’s AIGA event.

Design blogs are bringing us more design writing than ever, even as they pose a real danger to design writing.

Transportation narcolepsy, continuous partial attention and interface addiction. All in one post!

The very latest in gift wrap design is here.

The software that ships with most hardware is a missed opportunity.

Giampietro+Smith appearing in SoHo tonight.

My official and mostly unsurprising endorsements for The Webby Awards.

Praise for The Times of London’s Web site.

I want the Wii out of my living room, and why Nintendo should help.

Digital goings on for Spring at the New York chapter.

First in a series of F.A.Q.’s: can you use the design of this site for your own purposes?

The meat of the grid presentations I’ve been making recently, now available for download.

Who to favor when designing features.

Getting rid of the Venetian blind effect.

Sovereign and auxiliary postures and language as factors in updating my friends on what I’m doing.

Things about me that seem very important right now.

Just under the gun, December’s Illustrate Me goes live.

A quick update on matters relating to the 800 lb. gorilla of typefaces.

Making mix tapes is good practice for graphic design.

It took me years to find this feature in an application I use every day.

An annual report and the way the Web used to be designed.

The new Boxes and Arrows should’ve looked better, and that’s not just my pride talking.

What three installers have to say about the software they deliver.

The Palm O.S. blew it, and why the new iPhone is a typographic milestone.

A puzzler of a piece by Rob Giampietro for November’s Illustrate Me.

Looking back at some of the aimless sketching I did during the year.

How an alternative to PowerPoint rescues the slideshow as a tool for designers.

Life on the inside… of an in-house design group.

Possibly the first of a long line of dumping grounds for links I can’t turn into full posts.

Taking stock of the attendees at Jeffrey Zeldman’s recent AIGA Small Talk event.

It’s no trick: an on-time treat for Illustrate Me fans.

The virtues of being made of cheap plastic.

Alissa Walker’s unexpectedly powerful illustration.

How Jeffrey Zeldman’s Small Talk went over.

With my friend Liz Danzico, a debate on the merits of the new NYPost.com.

An update on tee-shirt-fueled support for Subtraction.com.

Come see me at AIGA Baltimore on Thu, and then go see Jeffrey Zeldman at AIGA New York in Oct.

The August 2006 entry for Illustrate Me owes a debt to youth and talent.

The long-awaited Hel-Fucking-Vetica tee shirts are available to buy!

Art directing the NYTimes.com home page on the fifth anniversary of September 11th.

Public art from AIGA New York in Times Square.

Getting good design out of a surfeit of workplace meetings.

A wealth of opportunities at the New York chapter of AIGA.

An interview with Veerle Pieters on the artwork she created for July’s Illustrate Me.

An interview with me and Jeffrey Veen conducted by 37signals.

June’s art and an update on the project.

Learning to deal with the sincerest form of flattery from an institution of higher learning.

Wrapping up my appearance and attendance at An Event Apart New York City.

The divide between the Web design community and the AIGA.

A brand new illustration for all the blog posts I wrote in May.

What calling famous people can do for your career.

The moment for reflectivity is here, or maybe it was fifteen minutes ago.

Six Apart’s Vox is a beautiful work-in-progress.

MoMA’s Paola Antonelli lectures for AIGA New York.

Just published at the Adobe Design Center: my interview with Jason Fried.

Looking for input for my talk at An Event Apart New York.

My contribution to El Boton is shipping today.

Debuting today: a modest little effort to bring illustration to the Web.

First day of my first time at Creative Good’s Gel Conference.

Something different at NYTimes.com for Times Select subscribers.

For the May 1st Reboot, Jeff Croft hit a home run.

I’ll be there as a speaker when the rolling design conference, An Event Apart, comes to New York in July.

Design books are endlessly fascinating, but not particularly entertaining.

All about the row of images running across the NYTimes.com home page.

Things to look for when looking for things that make good design managers.

Something’s different at NYTimes.com, and it’s only partly my fault.

The 37signals book “Getting Real” as a casual manifesto.

A behind-the-scenes look at how we prepared for our SXSW panel.

Just finished talking about design with a bunch of design-heads.

How designers can save a lot of time and effort with a wiki.

Design documentation has fallen a long, long way from its golden age.

Newsvine aims to hybridize the unwashed masses and the mainstream media.

Come see me talk about design at this year’s South by Southwest.

On the lookout for interaction design examples that deserve to a spot in a museum.

Cut off from POP3 access at work, I’m forced to resort to webmail.

Looking back at some design work I did in the mid-nineties.

What I’m doing on my holiday between jobs, and can you help me find a good printer?

“The Complete New Yorker” is an amazing archive of content with a disappointing user interface.

After four years, I’m leaving the company that I co-founded for a new opportunity.

Alexey Brodovitch and the impoverished state of Web design.

Justin Goodlett asked me a whole bunch of tough questions recently.

Tantalizingly close but still miles away from the perfect media center.

When you’re a de facto standard for best practices, what can be improved?

For me, Writeboard is probably the most useful 37signals application yet.

How fun is design when it’s just you? Lots.

An in-depth look at the complicated layout grid behind The Onion.

A complete redesign of The Onion’s Web site, and I’m exhausted.

The most meaningful design I’ve seen all year.

How a little triangle caused me five minutes of befuddlement.

Designers need to be able to rent typefaces for two-week periods.

The little bit of embarrassment that rings when I call myself a graphic designer.

The nerve-wracking ritual of the project kick-off.

The hardest part of Web design is production, and it can’t be avoided.

I.D. Magazine gives a nod to Behavior’s design for Vote: The Machinery of Democracy.

Fireworks is better, but the whole damn category of web design software kind of sucks.

The Web production traps of working with Adobe Photoshop.

There are more window chrome styles than ever in Tiger, and what each might mean.

I’m busy, busy, busy, and so is Adobe Illustrator — creating weird temp files, that is.

The new DC Comics logo isn’t worthy of the old logo’s legacy.

What it might be like to get out of a design studio and into a design department.

Thoughts on Adobe’s announced acquisition of Macromedia.

The latest issue of the scrappy PDF magazine is out, including a contribution from yours truly.

For years, I’ve been nursing a daydream of an extended vacation spent learning to program.

There’s a great design opportunity in wikis — except it looks like someone else got there first.

Report from the Adobe Idea Conference in New York.

There’s a new process in town, and it’s not all bad.

Recent experiences writing stuff for other people.

What the creator of “Deadwood” has to say about writing, and how it matters to design.

All the iPod user interface needs is a little dash of the alphabet.

How to create the perfect sketchbook with less than ten dollars’ worth of office supplies.

There’s a tension between power features and elegant simplicity all over Keynote 2.

Behavior has two finalists in this year’s Web Awards at the South by Southwest Festival.

Tips on how to make a great impression when interviewed by yours truly.

Just to prove I’m not just being a jerk, here’s why I.E. gets second-class treatment.

Welcome to Subtraction Version 7.0.

A look at the layout grid behind the version 7.0 redesign.

What’s good about Delicious Library if the software’s no good?

In the midst of learning digital photography, an appreciation of an old book.

Though I’m still cold on print, I’ve really warmed up to Adobe InDesign.

Here are a few of my favorite electoral maps from around the Web.

Sometimes you do design work that you otherwise never would have done, never ever.

In the process of redesigning Subtraction.com, and dumping BBEdit or skEdit.

Some ideas on how to fix up OmniWeb’s interface… for me.

Behavior helps you get your vote on: announcing the launch of CitizenChange.com.

Good things and bad things about using Apple’s Keynote over Microsoft PowerPoint.

How I spent my weekend doing a free redesign and liking it.

It’s child’s play to draw a square with a computer. Unless you’re using PowerPoint.

Though I just started using ecto, I already have a complaint.

Two minor flirtations with fame today, one for me and one for my four-legged companion.

Two new things we did at the office.

How odd to read about typography in the paper of record, unfortunately.

Good things happen when design meets politics, right? Right?

Some thoughts on Airbag.ca’s thoughts on improving the Presidential Daily Briefings.

My award for the worst interface in a best-selling, market-leading software application goes to…

A brand new HogBaySoftware.com launched today.

Community building is messy business with phpBB.

My painstaking widget design amounts to nothing.

Putting information design in service of revealing the Bush administration’s gross inaccuracies.

You need more links?

Behavior launches a brand new AIGA Design Forum.

Finally revealed: secrets to success with PowerPoint!

Evidence that I attended the Design Guard, where I learned how to make slick UI widgets.

New work from Behavior, including hot chicks!

Aside from the branding, not enough has changed in the Adobe Creative Suite.

We’re at it again for the AIGA.

Nine designers for nine candidates for the Democratic nomination.

The future looks anti-aliased, smoothed out and drop-shadowed.

Famous designers design album covers for famous musicians.

Some links from a day of surfing photographers’s Web sites.

There’s something absurd about design.

If you love your logo, set it free.

When you want to make a point, PowerPoint will help you not make it.

Behavior relaunched Muleh.com today.

All you have to do to get this Cisco wireless PC card working is download the software. I swear.

Adobe’s new Creative Suite looks nice.

Lots of stock photo agencies try and kick it; only Veer gets it done.

How I went from design owner to production lackey.

The intensely personal part of Web design.

Design as the spit and polish on a showroom car.

How to design the perfect bill.

Emailing the President of the United States is no simple matter.

Comments on The Iconfactory’s recent launch of StockIcons.com.

The pros and cons of ink jet printing.

The restaurant industry as a model for design.

On my way to Montréal, a few random items.

Thoughts on my latest contribution to Squat.

Mix CDs aren’t as fun as designing for Mix CDs.

These days I’m getting my fill of the world of print design.

“The Atomic Revolution” is a beautifully illustrated comic book relic from the atomic age.

The latest launch from Behavior is CanDoFitness.com.

AIGA DESIGNING attempts to broaden the worldview of designers.

The winners of the WThRemix contest have been selected, though the entries are a bit disappointing.

Charged with creating a series of interactive wireframes, I’m wondering if there’s a way I can get out of using Visio.

The newest public release of Safari features the most elegant implementation yet of tabbed browsing.

Much has been written about baseball’s subtle beauty, but it also happens to be a wonderful game to design to.

Why is it so hard to find good design talent?

It used to be that I hated Netscape, but now, after diving into CSS and XHTML, I realize how poor a Web browser Internet Explorer really is.

The poster for “Identity” is the best one I’ve seen yet this year, and it looks like “The Matrix: Reloaded” and “Charlie’s Angels: Full Throttle” are one and the same.

Gigposters.com catalogs thousands of live performance posters for thousands of bands.

Apple and Microsoft’s approaches to style guidelines are both indicative of their design advocacy.

UPS has rebranded itself, but the new logo lacks wit.

The posters of Saigon, where human labor is cheaper than technology.

Everyone needs ‘back’ and ‘forward’ buttons.

A minor interface tweak in Mac OS X represents a lost opportunity.

Francis Lam’s new revision of db-db.com is a triumph for design esoterica.

London’s Nexus is responsible for some of today’s brightest animation work, including the titles for “Catch Me If You Can.”

A Costneresque vision of New York.

A study shows that “design look” is the single most important factor for users when judging a Web site“s credibility.

A profile on Peter Saville in the NY Times Magazine.

Everything you always wanted to know about Blaxploitation.

Announcing Gain 2.0.

This is a post about This Is a Magazine.

A grab bag of links.

Bollywood has a rich legacy of film posters.

The Skyscraper Page settles your bets on which of your favorite buildings is taller.

The brave new world of icons.

Design tutorials at Before & After.

Various links to get you through this terrible heat.

Flash drives me crazy, what with its crappy handling of fonts and what not.

Struggling with some comps at work.

Congratulations to Gicheol Lee.

Take a look at Soundload.

Dude, check out this map I got off some dude on the street.

Yahoo! has a public beta of its Mail service in place.

Yahoo! is beta testing a new home page design.

Look how desktop publishing has grown.

Forbes Magazine points and laughs at architecture’s ugly ducklings.

Francis Lam’s db-db is a tiny pixel playground.

Tom Jones goes online.

Play deejay with Bruce Lee.

Welcome back to K10k.

The debut of the redesigned The Wall Street Journal.

Rumors behind the redesign of The Wall Street Journal.

NY Times on Chinese-language newspapers changing their orientation.

De-construct has a Web site.

Put your best Flash Face on.

Boxes and Arrows is a new Web magazine for information architects.

Harald Belker’s illustration work.

Look at this old J.C. Penney catalog from 1980.

David Levine’s collection of travel-related ephemera of the 1920s and 30s.

Life Magazine covers now available onlline.

Deep down, Wintel owners really want their PC’s to look as good as a Mac.

A multi-filter approach to browsing hierarchies.

Two reminders of the Eighties.

The White Stripes a la Legos.

Old conceptual drawings from the golden age of Atari.

You can play with Eva Herzigova.

A vintage lecture from Massimo Vignelli.

Vooz is beautiful and clever.

Thinking about ‘look & feel.’

I just wanted to remember Workbuyconsumedie.

New chairs purchased from Design Within Reach.

Adbusters has something to say about design.

An intricate, beautiful, fairly useless Web site.

The premier interactive firm Method has redesigned their Web site.

It’s all a huge conspiracy.

Jason Kottke has a terrific Web site.

How to make money in the world of online comics.

Four incredible views of New York’s growth.

Edward Tufte has a Web site.

These technical drawings from NASA’s Mercury program are beautiful relics from an era of optimism.

Adbusters is holding a re-design contents for First Things First.

The ostentatious BMW Films marketing campaign.

TheFutureofSoftware.net dabbles in speculation on, er, the future of Software.

Wireless infrastructure Seven has a beautifully designed logo and Web site.

Design is a method employed by artists to impose tyranny on the world.

Even brand asset management can be shoehorned into an ASP businss model!

Where novices look when they look for stuff.

Agency.com, Organic and Razorfish will be consolidated.

Lately I’ve been using the typeface Superpoint.

Don’t look back at air conditioning.

Your place or mine?

The New York Times doesn’t redesign their Web site so much as re-tweak it.

“Reboot” is an organized effort to launch dozens of redesigned Web sites on the same day.

The new Warp Records site is pretty impressive.

Steven Johnson takes a look at the anachronistic UI metaphors in music software.

The new logo for Feed magazine is quite great.

A list of movies, books, magazines and other pop junk that came my way in the year 2000.

The new Guggenheim Museum in Lower Manhattan is going to be great.

A look at Imagine Media’s Fuse Magazine.