Motient Corporation and Rare Medium Group to Merge

“RESTON, Va., and NEW YORK, May 14 /PRNewswire/ — Motient Corporation (Nasdaq: MTNT) and Rare Medium Group (Nasdaq: RRRR) today announced the signing of a definitive merger agreement through which Motient will acquire 100 percent of Rare Medium Group using a combination of newly issued Motient stock, shares of XM Satellite Radio stock (Nasdaq: XMSR) owned by Motient and certain other considerations.”

Read the full text of the press release here. I have absolutely no comment right now.

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Throbbers

MajesticWhy settle for the Internet Explorer “e” logo (or the Netscape “N” logo, I guess, if you insist on using Netscape) spinning in the upper right-hand corner of your browser? If you’ve got a Mac, you can change this branding area — commonly called a “throbber” — with custom throbbers using Apple’s venerable ResEdit.

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Majestic

MajesticMajestic is a new-breed video game from Electronic Arts, not just net-based or multimedia-based but many-media based. It uses your Web browser, Flash, RealPlayer, AOL Instant Messenger (driven by AI), your fax machine and your telephone to “infiltrate your life”. Game sessions are short and can be tailored to gamer-defined parameters (default settings, for instance, might result in telephone calls to you from the game in the middle of the night), and can occur over the course of days or weeks. I’m not much of a gamer, but this has the ring of the future.

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The Hire

The HireIt’s an advertising trick of practically evil subtletly, but the five-film series “The Hire” is still worth a look. Ostensibly a collection of short films directed by some major talent — John Frankenheimer, Ang Lee and Guy Ritchie among them — and all starring the highly cool Clive Owens from last year’s “Croupier,” these films are, at heart, a disturbingly clever campaign for BMW cars. The film releases are staggered, with Frankenheimer’s “The Ambush” available for viewing right now, and Ang Lee’s “Chosen” due next week. The one I’m really waiting for is Wong Kar-Wai’s “The Follow.”

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