Five Years

Five years now since the attacks of September 11th, 2001, and, for me, the distance from the event has left me even more at a loss for what to say than before. Time hasn’t clarified much of it at all, good or bad, right or left, right or wrong, at least not much more than what I knew in the days after those planes hit those towers. Whatever the final judgment of history might be on the way the twenty-first century opened for us, it’s my suspicion that we’re not close to knowing it yet. In certain spells — by myself, in crowds, walking around downtown — I feel like we’re almost further from knowing how future generations will regard us — any of us — than we were four years and three hundred, sixty-four days ago.

So I hadn’t planned on writing anything here on this anniversary. But, after walking around lower Manhattan yesterday evening with my dog and feeling that unavoidable, lingering sense of loss, my brain unexpectedly started turning over the lyrics for David Bowie’s “Five Years.” I’ve been listening to this song forever, it seems, and I’ve never known why Bowie wrote it in the first place, what the story behind it was. None of it seems to matter for today, though, because on this date it seems appropriate in a frightening, open-ended way.

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Forest for the Banners

The Urban Forest ProjectIf you’re in the Times Square area anytime between Friday and Halloween, look upwards to the nearly two hundred colorful banners hanging from the lampposts. They’s all part of the Urban Forest Project, a collaboration between AIGA’s New York chapter, Worldstudio Foundation, and the Times Square Alliance. The public art project features visual work from one hundred and eighty-five designers, artists, photographers and illustrators, including some by friends of mine and some by area students who have been mentored by professionals like my friend and colleague on the AIGA NY board, Emma Pressler. Emma has been a major force behind AIGA New York’s mentor program, and an article in yesterday’s Times talks about the work that she and her student partner, Wednesday Trotto (real name!) did for Urban Forest. It’s an event that ties together design, New York City, AIGA, The New York Times and a friend of mine… I call that a great story.

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AIGA Wants YOU

AIGAThings are moving quickly for me since joining the board of directors for AIGA New York. I’ve been hard at work putting together some events that I hope will spark a bit of interest from designers who, until now, might not have thought of AIGA as being the sort of organization that pays a lot of attention to their particular needs. This was the number one concern I heard when I first informally polled readers about the organization a few months ago, and I’m doing my best to fix the situation. The first of these events will take place in October and it’s going to be small yet huge; it’s too early to talk about it in any detail now, so stay tuned.

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Before the Blackout

After my interlude at Comic-Con International in San Diego, I spent the rest of my week-plus vacation visiting my family in Irvine, California. It was a blast; I sat by the pool, took my nine year-old nephew to a magic shop, and watched a ton of movies. I’ve been back home since late Sunday night, but I’m really freakin’ swamped here, not just with work, but also with all manner of extracurricular and personal activities.

Which explains the lack of blog posts here at Subtraction.com (and this mea culpa post, the likes of which I normally avoid), at least in part. The other part is this damnable heat that dogged me in California and that’s dogging me again here in New York City. Temperatures have routinely been in the upper nineties, with the heat index breaking 105 F. Lovely. Makes it uncomfortable to do much of anything.

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How to Shoot People (and Places and Things)

After flailing around for about a year and a half with my Nikon D70 digital SLR camera, I resolved several months ago to finally take a proper class and learn how to use it for real. I found one that suited me at New York University: “Digital Photography Shooting Workshop,” taught by Joseph O. Holmes of the noted photoblog Joe’s NYC. As its title implies, the course allows me to forgo any education about the chemical processing of traditional photographic film — I have zero interest in that — and focus on shooting, handling the camera and responding to different shooting environments. Perfect.

Class meets twice a week: on Saturday afternoons, we make our way to select spots around New York City and take photos, with Holmes giving impromptu talks along the way. Then we choose five selects from those shots and review them, unmanipulated by Photoshop or any other process, in a group critique on Wednesday nights. It’s a short course lasting only about a month, and I’ve just come back from my first Wednesday night.

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How to Shoot People (and Places and Things)

After flailing around for about a year and a half with my Nikon D70 digital SLR camera, I resolved several months ago to finally take a proper class and learn how to use it for real. I found one that suited me at New York University: “Digital Photography Shooting Workshop,” taught by Joseph O. Holmes of the noted photoblog Joe’s NYC. As its title implies, the course allows me to forgo any education about the chemical processing of traditional photographic film — I have zero interest in that — and focus on shooting, handling the camera and responding to different shooting environments. Perfect.

Class meets twice a week: on Saturday afternoons, we make our way to select spots around New York City and take photos, with Holmes giving impromptu talks along the way. Then we choose five selects from those shots and review them, unmanipulated by Photoshop or any other process, in a group critique on Wednesday nights. It’s a short course lasting only about a month, and I’ve just come back from my first Wednesday night.

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A Glass House on Fifth Avenue

As an Apple fan, I think the company’s retail stores are awesome in theory, but I’m not the kind of guy to spend hours hanging out within them, nor the sort to make dutiful treks to their openings, like many Apple fans do. Still, I thought it was worth stopping by this evening’s grand opening for Apple’s new flagship store on Fifth Avenue, here in New York. It’s not exactly on my way home from work, but the fact that the company had decided to put such a huge, public stake in the ground in such a high-end retail district, and with such a prominent architectural statement… well, my curiosity was piqued.

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Event of the Summer

An Event ApartEric Meyer and Jeffrey Zeldman’s rolling design conference tour, An Event Apart, is coming to New York City in July. For the first time, it will be two days long; the first day will be devoted to matters design, and the second day will be devoted to matters code.

Count me a lucky bastard, as these gentlemen have been nice enough to invite me to be one of the presenters on the first day, appearing on the same slate as the prolific Jason Santa Maria and the scary-smart Adam Greenfield, two design practitioners and thinkers that I would gladly pay to see any time. The second day will feature the amazing Aaron Gustafson, from whom anyone can learn more about the practice and management of good code. And, of course, the estimable Eric and Jeffrey will be around too, either in “yadda yadda” mode or “as needed.”

It’s going to be exciting and I can’t wait. Registration isn’t yet open, but you can keep tabs on the An Event Apart Web site or its RSS feed to find out as soon as it goes online. Past events have sold out quickly in Philadelphia and Atlanta, so it’s reasonable to expect the same thing to happen here in New York City. Plus, if you don’t live here, you can treat yourself to a fun few days roaming the Big Apple — the July heat’s not to be missed!

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Strike Force Delta

NYC TransitWithout getting into whether I side with New York City’s Metropolitan Transit Authority or Local 100 of the Transport Workers Union in the labor strike that has put a halt to most commuting in New York City this morning, and at the risk of sounding too easily dismissive of the genuine hardship that this situation has dropped in the laps of average New Yorkers as well as the striking workers (who are, after all, average New Yorkers themselves), let me say there is a silver lining in this cloud: Manhattan, today, is less like its usual convergence of angry rivers of traffic, and more like a peaceful countryside of gentle streams of cars. It’s nice. And, to top it off, there are cones lining the major avenues running north and south along the length of the island — believe it or not, these are bike lanes, intended to let human beings get to and from without the aid of automakers or oil companies. I’ve always wanted to see cars sharing the city’s major thoroughfares with bicycle traffic.

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The Write Stuff: Paragraph

ParagraphIt was always a mystery to me why people spend so much time hanging out at Starbucks. Notwithstanding the fallacious reality of sitcoms in which beautiful people spend all day cracking wise at their local coffee houses, the idea of committing more than thirty minutes to a visit to any retail outlet is a real stretch for me. That is, until I moved to New York seven years ago and discovered that the apartments here are tiny and, inconveniently, they often come with roommates. In this city, if you want to get any kind of concentrating done without all of the distractions of your television or personal possessions — and you want to do it away from the close quarters you share with your roommate, you need to escape your home. This is rarely truer than if you are a writer, someone who requires a certain reliable quietude in order to produce to the capacity of your creative prowess.

Which is exactly the reason why my girlfriend and a friend she met in graduate school started Paragraph, a so-called “workspace for writers.” It’s a quiet, spacious retreat from everything competing for a writer’s attention, located close to Union Square on Fourteenth Street in Manhattan.

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