Chart of 2009 New York Mets Injuries

As a Yankees fan, I should say that the fact that I’m posting this is not intended as schadenfreude, because I honestly have nothing against the Metropolitans. I only wanted to point out how devastatingly Sean Engelhardt’s well-executed information graphic paints a portrait of a disastrous season — I mean just look at those long swaths of red and the big names next to them. And that’s without even including visual data for their abysmal won/loss record. Though maybe that omission is for the best.

2009 New York Mets Injuries
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Our Craigslist

Wired MagazineThe cover story for the September 2009 issue of Wired takes a look at the current state of Craigslist and the challenges it faces as it continues to evolve. In a sidebar, the magazine’s amazing art director Scott Dadich invited several designers to re-imagine and redesign Craigslist itself.

In addition to inviting contributions from SimpleScott, who was the former design director at BarackObama.com, Matt Wiley of Studio8 Design, and Luke Hayman and Lisa Strausfeld of Pentagram, Scott was kind enough to ask me for my take as well, and I leapt at the chance. I conscripted two colleagues from my design team at NYTimes.com to help me: Anh Dang who provided an invaluable sounding board for the information architecture and interaction design, and Paul Lau, who helped turn around the visual design literally over a weekend. You’ll see the mock-ups we submitted on page 104 of the magazine or, here at this link.

A magazine sidebar of course has a finite amount of space in which to show and explain the ideas that went into this design. Thankfully, someone invented blogging, which is not similarly space deprived — and so I shall now use the medium to indulge myself accordingly. Here, then, is a closer look at the mock-ups we submitted.

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The Data Liberation Front

“…an engineering team at Google whose singular goal is to make it easier for users to move their data in and out of Google products. We do this because we believe that any data that you create in (or import into) a product is your own. We help and consult other engineering teams within Google on how to ‘liberate’ their products.”

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Was Shoeless Joe Jackson Innocent?

Writing in Chicago Lawyer Magazine, two attorneys raise serious questions about the accuracy of the definitive book on the Black Sox scandal: “The lack of supporting information in [the author’s] meticulously indexed notes suggests that the book may not be much more than fiction, or, at the very most, a summary of inflated press accounts.” Though the book was published decades after the fact it is historically critical to the details of this scandal because it forever cemented the eight team members of the 1919 Chicago White Sox as cheaters, and inspired the 1988 movie “Eight Men Out.”

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Milton Glaser’s SVA: A Legacy of Graphic Design

Opening today with a reception on 15 Sep, this exhibition promises “a 50-year retrospective of nearly 100 works created by [Glaser] for the College, where he has been on the faculty since 1960 and currently serves as acting chairman. The exhibition will include the original artwork for the iconic posters seen by generations of New Yorkers as part of SVA’s ongoing subway campaign, preparatory sketches that will be on public view for the first time, and rare printed pieces like the 1963 announcement for the course Glaser taught at SVA with the late art director Henry Wolf.”

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Conversation Pieces

The other night I watched Francis Ford Coppola’s 1974 psychological thriller “The Conversation” for the first time, I realized, in at least fifteen years. In the intervening decade and a half it had always stayed in my mind as one of the most delicately effective, nearly pitch-perfect movies I’d ever seen; Coppola had just come off of making the first “Godfather” and would go on to direct its even more ambitious sequel right afterwards, so “The Conversation” fell right into that sweet spot in his career where he truly was, as his sister Talia Shire put it, “The best director in the world, period.” There’s not a beat in this movie that doesn’t seem perfectly timed, that’s executed with anything less than tremendous care and wisdom and, more than anything else, that’s emotionally accurate. It’s a bull’s eye of a film if there ever was one.

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