is a blog about design, technology and culture written by Khoi Vinh, and has been more or less continuously published since December 2000 in New York City. Khoi is currently Principal Designer at Adobe. Previously, Khoi was co-founder and CEO of Mixel (acquired in 2013), Design Director of The New York Times Online, and co-founder of the design studio Behavior, LLC. He is the author of “How They Got There: Interviews with Digital Designers About Their Careers”and “Ordering Disorder: Grid Principles for Web Design,” and was named one of Fast Company’s “fifty most influential designers in America.” Khoi lives in Crown Heights, Brooklyn with his wife and three children.
“It says nothing new or insightful about the president, his triumphs and calamities. (As if anyone goes to an Oliver Stone movie for a reality check.) But it does something most journalism and even documentaries can’t or won’t do: it reminds us what a long, strange trip it’s been to the Bush White House.” On a side note, it’s amusing to me that, with this movie, the Brolin family has now cornered the market for liberal actors playing Republican presidents.
For no apparent reason, I thought to myself this afternoon, “I bet there are some pretty good galleries of wrecked cars to be found on the Internet.” And there are, apparently. Here’s another one that specializes in wrecked exotic cars. Sorry folks, these ideas just come into my head sometimes.
Truly excellent archive of television commercials from every U.S. Presidential campaign since 1952, assembled by The Museum of the Moving Image. What’s particularly interesting is the prevalence of cartoon animation and jingles in the first few elections, and how they quickly gave way to more serious, documentary commercials.
Among the many calamitous events that have marked the current global financial crisis, the U.S. government seized the bank Washington Mutual late last month in what was described as “by far the largest bank failure in American history.” For the generations of people, like me, who grew up thinking of the Great Depression as an historical event — something essentially unrepeatable, like say the Black Plague — it’s something of a shocker that a Depression-style implosion on the scale of WaMu could even take place in the 21st Century.
Dramatic reversals of business fortune are a reminder that the constants of commercialized life (in my view, we’re almost all of us living highly commercialized existences) aren’t quite as untouchable as we thought. The concept of “too big to fail” is under siege at the moment. The fact that a company, product or service is so clearly dominant and relied upon is no guarantee of its survival.
In particular, I make this point in regards to Web applications, cloud computing, putting your data online — whatever you want to call it. Over the past decade, consumers have been relying on Web-hosted services to house their information more and more, and on independent stores of data on their personal computers less and less. Forget PCs even. It’s no secret that vanishingly few people are relying on personally maintained copies of records that exist in the home, like say a checkbook register, too.
Many of you reading this right now probably rely on some form of Web application for your email, spreadsheets, word processing, finances, or even to run your business. And that’s just the productivity side: think for a moment about all of the value you’ve created in the social networks you’ve built on say LinkedIn, or the narratives you’ve weaved on Flickr, or the conversations you’ve had on Facebook, or the journaling you’ve done at Tumblr. It’s almost all online, and very little of it is on your computer.
Taken over the summer in West Falmouth, MA.As if this bulletin board weren’t quaint enough, the wall it’s mounted on is literally one side of the town’s general store.
Among the many calamitous events that have marked the current global financial crisis, the U.S. government seized the bank 