Criminal Negligence for “The Wire”

The WireOn the advice of readers a few months ago, I decided to sample HBO’s urban crime procedural series, “The Wire,” reaching back in time to 2002 to start with the first season on DVD, courtesy of Netflix. Almost immediately, I understood what everyone was raving about. My reaction: “Oh, so this is what the best episodic television ever written looks like.”

“The Wire” is an embarrassment of riches. It’s full of pitch-perfect storytelling, methodically and confidently strewn across long, ambitious story arcs and populated with vivid, complex characters. Its attention to detail, and its inconspicuously accurate and unflinching realism are everything I’d ever hoped for in a dramatic series. The erratic and usually rare appearance of those virtuous traits in supposedly superior shows has frustrated me so much after years of TV viewing that it’s simply astonishing that this show has been able to sustain them so uniformly and effortlessly. The series also happens to be the best acted show I’ve ever seen — if there’s a more scarily commanding performer on television than Idris Elba as Stringer Bell, then I haven’t seen him. That guy should be a superstar by now.

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Glaring Omissions

After some patience, I finally got my iPhone situation sorted out: I’ve now happily left Verizon Wireless behind and am using my new iPhone on AT&T with generally satisfactory results. I tried AT&T’s wireless network for about a week in 1998 but dumped it quickly because its signal quality at the time was just plain unacceptable in New York City. So I’ve been very pleasantly surprised by how often my calls sound clear and strong; the network has obviously been significantly improved. The voice network, that is. You can pretty much forget about the company’s EDGE network for any sustained or urgent Internet access.

But that’s not what I’m here to complain about today. Rather, I want to point out a couple of conspicuous deficiencies in the iPhone. Don’t misunderstand me, I’m generally delighted with it; without a doubt, it’s a breakthrough device and, more importantly, it’s fun to use. But there are two significant and, to my mind, glaring omissions in the design of this product.

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New Site, New Blog for AIGA New York

AIGANY.orgYesterday we officially launched a brand new version of AIGANY.org which was beautifully and smartly designed by the dynamic duo of Greg D’Onofrio and Patricia Belen over at Kind Company. They’re a small but extremely talented shop in Brooklyn that’s doing some stellar work, including a terrific and invaluable resource commemorating the work of Alvin Lustig.

AIGANY.org is the official site for the New York chapter, not to be confused with AIGA.org which was famously and wonderfully redesigned earlier this year by Happy Cog for the national organization. Naturally, our site is focused on all the design-related events that the chapter puts on in New York City during the fall, winter and spring of each year. All modesty aside, it’s really a hell of a lot of stuff; you’d have to TiVo the majority of a television season just to attend half of these events each year.

So to help keep everyone apprised of what’s going on, this redesign features a new blog called, somewhat cheekily, DESIGNY (RSS feed). Get it? DESIGNY, design-y and design-New York? Corny puns aside, we’ve staffed this blog with a hand-selected coterie of up-and-coming design tastemakers: Randy J. Hunt, Louise Ma and Michael Brenner. Between them, they’ll be covering all of the events we put on, and more.

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Designed Deterioration

RimowaIf you buy yourself a piece of high quality luggage from Rimowa — and I’ve daydreamed about it, but have never been able to justify the exorbitant expense — you’re getting a structurally and aesthetically pristine object that’s going to get beaten up.

You know how airlines and luggage handlers can be; the vagaries of travel can be unkind to luggage of all kinds, including thousand-dollar, aluminum frame suitcases. The state in which a bag tumbles out of the chute onto a conveyor belt at baggage claim is never quite the same state in which you handed it over to the airline at check-in.

The thing with a Rimowa, though, is that those scratches, dings and dents are part of their aesthetic. A new, unspoiled Rimowa suitcase is actually the least desirable kind of Rimowa suitcase in that it is, to paraphrase something I once heard Jasper Johns say, an ‘ignorant’ suitcase. Unused objects are ignorant; only the ones that have been put to use, that have traveled, that have been tossed around have accumulated knowledge. That knowledge and familiarity, if it’s worn properly, can make an object desirable. A beaten, worn, scratched Rimowa then is actually a point of pride.

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