Remarkably, the book is as nearly as funny as its televised parent, but I do have a quibble with one aspect of it: the layout of this satirical overview of American history — in spite of the inspired decision to emulate the look and feel of a secondary school social studies text — is a drag. Art directed by famed Pentagram partner Paul Scher, it displays very little of the attention to detail and impeccable taste that Scher is known for: the colors are wacky, the typography is far too lightweight in the body and clumsy and unfeeling in the headlines, and the ornamentations are half-hearted. It’s probably a good guess that the majority of the design budget was spent on the manuscript’s many, many joke illustrations — they do the job, but not with much panache. I know, it⁏s probably a bit narrow-minded of me to criticize a satire for its graphic design shortcomings, but I’m just reflecting how high my hopes ran when I heard about the dream team combination of Jon Stewart’s content and Paula Scher’s design. Too bad.