is a blog about design, technology and culture written by Khoi Vinh, and has been more or less continuously published since December 2000 in New York City. Khoi is currently Principal Designer at Adobe. Previously, Khoi was co-founder and CEO of Mixel (acquired in 2013), Design Director of The New York Times Online, and co-founder of the design studio Behavior, LLC. He is the author of “How They Got There: Interviews with Digital Designers About Their Careers”and “Ordering Disorder: Grid Principles for Web Design,” and was named one of Fast Company’s “fifty most influential designers in America.” Khoi lives in Crown Heights, Brooklyn with his wife and three children.
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I think sometimes the web made someone to copy other easily..
She makes some very good points. In some ways, the web makes everyone into an advertising writer, since its demands for brevity and simplicity and its assumption of impatience have always been a part of advertising writing. Some nice specific observations about bullets and em dashes.
I wouldn’t want all writing to be like web writing; the leisurely, immersive quality of a good book can never be captured on the web. And some digital forms–especially powerpoints–are so impatient that they rip away context and produce bad, confusing, too cryptic writing.
She makes some very good points. In some ways, the web makes everyone into an advertising writer, since its demands for brevity and simplicity and its assumption of impatience have always been a part of advertising writing. Some nice specific observations about bullets and em dashes.
I wouldn’t want all writing to be like web writing; the leisurely, immersive quality of a good book can never be captured on the web. And some digital forms–especially powerpoints–are so impatient that they rip away context and produce bad, confusing, too cryptic writing.
She makes some very good points. In some ways, the web makes everyone into an advertising writer, since its demands for brevity and simplicity and its assumption of impatience have always been a part of advertising writing. Some nice specific observations about bullets and em dashes.
I wouldn’t want all writing to be like web writing; the leisurely, immersive quality of a good book can never be captured on the web. And some digital forms–especially powerpoints–are so impatient that they rip away context and produce bad, confusing, too cryptic writing.
She makes some very good points. In some ways, the web makes everyone into an advertising writer, since its demands for brevity and simplicity and its assumption of impatience have always been a part of advertising writing. Some nice specific observations about bullets and em dashes.
I wouldn’t want all writing to be like web writing; the leisurely, immersive quality of a good book can never be captured on the web. And some digital forms–especially powerpoints–are so impatient that they rip away context and produce bad, confusing, too cryptic writing.
She makes some very good points. In some ways, the web makes everyone into an advertising writer, since its demands for brevity and simplicity and its assumption of impatience have always been a part of advertising writing. Some nice specific observations about bullets and em dashes.
I wouldn’t want all writing to be like web writing; the leisurely, immersive quality of a good book can never be captured on the web. And some digital forms–especially powerpoints–are so impatient that they rip away context and produce bad, confusing, too cryptic writing.
She makes some very good points. In some ways, the web makes everyone into an advertising writer, since its demands for brevity and simplicity and its assumption of impatience have always been a part of advertising writing. Some nice specific observations about bullets and em dashes.
I wouldn’t want all writing to be like web writing; the leisurely, immersive quality of a good book can never be captured on the web. And some digital forms–especially powerpoints–are so impatient that they rip away context and produce bad, confusing, too cryptic writing.