Andrew B. Myers

Ratings

4 of 5 stars
What’s this?

This “friendly Canadian photographer” produces wonderfully graphical compositions, which is naturally very appealing to me. But I think what I like best are his works that seem to blur the line between image capture and painting; Myers’ palettes are so uniform and so rich — particularly in the shadows cast by the few spare objects in each shot — that his photos seem as if they were rendered in oil paint.

Andrew B. Myers 1
Andrew B. Myers 2
Andrew B. Myers 3
Andrew B. Myers 4

See more of his work on his Web site.

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The Beauty of Letterpress Gallery

Ratings

4 of 5 stars
What’s this?

Just launched today, this gallery “…presents letterpress work from notable letterpress printers, designers, and artisans from around the country including Rohner Letterpress, Studio on Fire, Two Paperdolls, and Mama’s Sauce. The site features selections from a new curator each month. Letterpress history, context, educational information, community connections and a list of letterpress printers round out the site.”

In addition, the site aims to assist The Hamilton Wood Type & Printing Museum “in their efforts to relocate and effectively salvage a priceless piece of letterpress history.” The marquee video explains the daunting challenge that the museum faces, and the site urges fans of letterpress to donate to the cause.

Visit The Beauty of Letterpress.

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Analyzing Tigger

Ratings

4 of 5 stars
What’s this?

Animator Michael Ruocco breaks down seven seconds of the 1977 Disney children’s classic “The Many Adventures of Winnie the Pooh,” in which animator Milt Kahl brings the character Tigger to exuberant life. This analysis is the very definition of a committed craftsperson: it is a nuanced, careful examination of every piece of the work at hand, filtered through a clear-eyed appreciation for the craftspeople who have come before. For designers, it’s just the umpteenth reminder that even very small details add up. Read the full blog post at Cartoon Brew.

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Double-exposure Photography

Ratings

4 of 5 stars
What’s this?

I’ve always had a soft spot for double-exposure photography, and how it crosses over from image capture into a form of graphic design. I’m most impressed when the exposures are all done in the camera (rather than in Photoshop), because to me it seems very close to laying out elements in the real world.

Here is some work from two photographers who have really mastered the form. They both work in very similar styles, and I have no idea if one can claim precedent over the other, so I’ll just list them alphabetically.

First off is Anette Ivanova.

Anette Ivanova 1
Anette Ivanova 2
Anette Ivanova 3

And here’s work from Christoffer Relander.

Christopffer Relander 1
Christopffer Relander 2
Christopffer Relander 3

I’ve put together this Bitly bundle which points to portfolios for each.

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Magic and Mobile Apps

Apple long ago abandoned its original “Magical and Revolutionary” tagline for the iPad, probably out of some embarrassment at how the word ‘magical’ made so many of us groan. But the more I use, build and learn about touch-based software, the more I think magic is really a key component of this stuff, even if it’s not exclusive to the iPad.

I thought about this recently when a co-worker introduced me to Moves, an iPhone app that tracks the number of steps you take, with the aim of getting you to be more physically active from day to day. Once downloaded, you use Moves by doing… well, almost nothing. The app does everything for you, recording and parsing out your steps by mapping where you’ve traveled over the course of the day, how far and how fast, all with no user intervention required. All you have to do is the walking part, and the app quite literally does the rest, generating a complete, metered itinerary for all the walking and (most of) the places you visited in a given day.

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Brutalism in Print

Ratings

3 of 5 stars
What’s this?

Designer and critic Michael Abrahamson’s Fuck Yeah Brutalism tumblelog is a favorite. It provides a steady stream of historical photographs of the brutalist style, a postwar mode of architecture that favored the emphatic use of cast concrete and brick at huge and often inhumane scales. Looking back on what was built in this style, it strikes me that brutalism is the closest that architecture ever came to replicating the horrific beauty of a multi-car pileup.

Now Abrahamson is bringing brutalism to architecture magazine Clog as guest editor for the current issue. The folks at Clog were nice enough to send some sneak peek shots at the interior of the issue.

Clog: Brutalism 1
Clog: Brutalism 2
Clog: Brutalism 3
Clog: Brutalism 4

You can’t look away, but you can order your copy here.

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The Race for Mobile News

Here is a quick list I made of some of the many mobile news apps that have entered the market over the past few years: Prismatic, Circa, Pulse, News 360, Summly, and Zite. These are all serious, well-funded and/or well-staffed entrepreneurial attempts at building the next great news brands. You can probably name at least a few others.

To some degree or another, they all propose to define a new kind of news reading experience that lies at the intersection of mobile access and customizable headlines. Some of them are pretty good at it, too. But none of them have truly come to own this category, and similarly none of them have become indispensable mobile brands the way that say Instagram has.

This situation puzzles me, because reading the news is one of the core use cases on a mobile phone — just about everyone does it. It surprises me that we’re almost six years into the iPhone-fueled smartphone era, and we don’t yet have a commonly agreed upon winner among news apps. Not just a clear leader in downloads, installs and active users, but an outright brand leader, an approximate equivalent to what CNN was in the first decades of cable news.

There is a distinction, of course, between producing original news, like CNN does, and aggregating or repackaging it, like almost all of these apps do. And maybe the fact that these brands have already come up against the limits of their popularity suggests that aggregation will always be inferior to original news.

I wouldn’t be surprised if in the long run that turns out to be the case; research suggests that legacy news brands enjoy an advantage in mobile (at least for now).

Still, I highly doubt that the combination of mobile access and customized headlines has already played itself out fully. While I take nothing away from what these apps have done so far, it strikes me that we are still just learning what mobile news consumption means, and how it’s very different from traditional or even desktop media models. As our understanding matures, new apps and brands will enter the market with radically different interaction models.

If you also have a little bit of faith that technology will continue its heretofore unceasing forward march, then it becomes quite reasonable to expect that we are due for huge innovations in relevance and automated customization sometime in the next decade, which will benefit this category of software immensely. That is, solutions to the challenge of creating a news experience tailored just for your interests (explicit and implicit) are bound to get more and more sophisticated — and accurate. The company that is the first to combine such technology with a truly advanced understanding of mobile news consumption will become the next great news brand.

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