Don’t Text While Driving

This public service announcement from Volkswagen was run in a Hong Kong movie theater. It’s extremely clever in using two media channels to re-create the perils of texting while driving.

https://www.youtube.com/watch?v=JHixeIr_6BM

It reminds me a bit of the famous reactions to “The Great Train Robbery” in 1903, when audiences flinched at a gunman shooting directly at the camera and ducked at the sight of an oncoming locomotive rushing in their direction. Both that movie and this PSA were using novel techniques to seemingly reach out from the screen into the theater itself.

Just as it’s quotidian to look down the barrel of a gun or directly at a rushing train in movies today, in the near future it will be commonplace to have media experiences that cross multiple channels like this PSA does. The fact that smart phones are nearing ubiquity—to say nothing of whatever new device types lay in our future—is too tempting a change not to entice technologically curious filmmakers, or auteurs from any background, really. To me, this is much more interesting than 3D.

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Designing Products for Existing Behaviors

The alternate title for this post is “Lessons from Mixel That We Applied to Kidpost.” It’s longish.

The best bit of feedback that we’ve gotten to our Kidpost public beta is the recognition that Kidpost aims to be extremely compatible with—even deferential to—existing user habits. When people express their delight with that fact, it makes us feel great. This is true for me particularly, because it directly relates to one of the hardest lessons I learned from my failed startup, Mixel: Asking users to adopt new behaviors or even modify their existing behaviors is very, very hard.

At Mixel, one of the things that doomed us was the very thing that infatuated us so much from the outset: the amazing possibilities inherent in creating a wholly new kind of content that merged aspects of visual collage, photo sharing and remix culture. We thought it was a brilliant idea, obviously, but the cold truth was that only a small number of people agreed with us. Actually, it’s more accurate to say that a majority of people just didn’t see how it fit into their own lives. The things we asked people to do with Mixel were fundamentally foreign to the way most people conducted their days, to the way that they were already using their devices, to their existing habits.

I don’t mean to say that you can’t change user behaviors, or that you can’t engender new ones. Clearly, you can if you build a “what the world was waiting for” kind of product. Instagram is one of the best recent examples of that, in my opinion. It identified a sweet spot at the intersection of social sharing and taking pictures with your phone, and it turned millions of people into iPhoneographers, or whatever you want to call them. That insight produced a new behavior, one that many people have taken to with obsessive dedication. It’s a major achievement, but it was a behavior that people were practically primed to adopt.

It’s also entirely possible to build products that change the way people think about the world, and if you’re successful millions of people will change their habits to complement what you’ve built, instead of the reverse. This is what Twitter did, though of course that story is much more complicated than just dropping a huge, epiphanic truth bomb on the masses and having everyone suddenly recognize the life-altering benefits of tweeting, retweeting and hashtagging.

Products that change user behaviors, which is what Twitter always has been and in retrospect is what Mixel was trying to be, require tremendous effort. They almost always take lots of iteration, lots of manpower, and lots and lots of money. Actually their success tends to be just one part product and, say, nine parts everything else that makes for a great company, particularly marketing. That’s not to take away from the intrinsic importance of the products themselves, but rather to emphasize how much credible, widespread and persistent persuasion is necessary for people to change their existing habits.

Twitter has always been an amazing if imperfect product, in my view, but among other things it benefited tremendously from its outrageously successful marketing—the countless hashtags splayed all over televisions and movies, the endless number of celebrities hawking their Twitter accounts, the innumerable ways that the media found to constantly remind us that Twitter was changing our lives. That phenomenon had its roots in genuine merit, it’s true, but it was not entirely organic either. Twitter-mania was the direct result of millions of dollars of venture capital and untold man hours dedicated towards convincing us to give Twitter a try, and if it didn’t take the first time, then to give it another try, and another, and another, until the service had amassed hundreds of millions of users who had all decided to modify their existing habits to fit Twitter into their lives.

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The First Picture Show

Larry Fahey blogs about the movies that he watches with his children at The First Picture Show.

Just because kids will sit through the same movie a dozen times doesn’t mean they should. And just because they’re excited to see the movies advertised on the sides of buses doesn’t mean that’s all they should watch. My goal is to make sure my kids understand everything movies can be, and introduce them to some new ideas in the process. And if it means I never have to sit through “Meet the Robinsons” again? All the better. We watch a different movie every week, and I write about them here.

Entries include the amazing Muhammad Ali documentary “When We Were Kings,” the immortal “Pee-Wee’s Big Adventure,” and the noir classic (that’s probably still too edgy for kids but what the heck) “Out of the Past.” In short, an eclectic variety of films sure to broaden any kid’s horizons. This is a wonderful project. I want to do something exactly like it with my kids.

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Aros Window Air Conditioner

A year ago I wrote about the moribund state of window air conditioning units. Crowdsourced product platform Quirky is tackling that problem with the Aros window air conditioner, a product invented by former Department of Energy employee Garthen Leslie. The Aros brings to bear many of the technologies that are starting to become common in Internet of Things-era home appliances like intelligent auto-adjustment, mobile app-driven remote control capabilities, and eco-friendly energy monitoring. It also looks noticeably better than just about any other window air conditioning unit out there.

Aros Window AC

However, I’m not sure the Aros looks that much better than what’s available at your local home appliances store. The pictures make a case for it being attractive, but they’re not utterly convincing, and I’m not sure it would bear closer scrutiny in person. The Aros looks a bit more like a prettified version of more familiar models than a complete, Dyson-style reinvention. That seems consistent with the complaints in the user reviews that, while the Aros is well-designed, it still suffers from the noise problems of traditional units. All the same, I’m happy that someone is trying to address this problem; if Quirky proves that there’s a market for improved AC window unit designs, then we might start to see some real competition that will eventually drive real innovation.

You can read more about this device and even buy it at Quirky.

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Notifications as the Next Interface

Following Apple’s huge announcements at WWDC last week, there has been a lot of talk about how changes in iOS’s notifications architecture will open a new class of apps. Over at Wired, Matt Honan writes:

Once developers begin to really harness what interactive notifications can do in iOS 8—and they will—it’s going to cause one of the most radical changes since third-party apps. With the advent of iOS 8, notifications are the new interface frontier…

When we can interact with our data in short bursts via notifications, we make remarkable efficiency gains, especially on tasks that we perform again and again. Apps will become more about information and communications; we’re going to think of them as services instead of as windows onto our data. The things that can make best use of single click efficiency will soar.

This has the faint whiff of being overblown, but I think there’s legitimate merit to this idea that new interfaces will become less monolothic, less centralized, more syndicated and integrated into our sessions on mobile devices. Read the full article here.

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Interview with Type Sample’s Justin Van Slembrouck

Type Sample is like Instapaper for web fonts, and it’s one of the handiest new design tools that I’ve added to my toolbox in the past year. It debuts to the public today.

Here’s how it works: a bookmarklet allows you to easily identify any web font you might come across during the course of your browsing. The bookmarklet creates a clipping of that web font—with your own text, even—and saves it to a hosted samples file under your own account at typesample.com. The interface looks like this:

Type Sample Bookmarklet

The result is like a scrapbook of your favorite web type that you can call upon for later reference—incredibly useful for remembering great typefaces that, from one source or another at least, are available as web fonts. Here’s what my Type Sample page looks like:

Type Sample

The service is simple, efficient and narrowly focused, and as a result it does its job very well. Its creator is Justin Van Slembrouck, a friend and a designer who, appropriately, works on Instapaper and Digg. I was lucky enough to get access to Type Sample a few months ago as it was maturing into a real product very close to its launch form. As the release date neared, I asked Justin to do a brief interview to talk about how it came to be.

Where did this idea come from?

It started out as just a tool I built for myself. Beyond just trying to identify the name of a font and what foundry it’s from, I often found myself using “Inspect Element” to test out a given font in different sizes and even type in my own text. This happened often enough that I decided to figure out how to automate all those steps.

As a designer, was it hard for you to get it built, to bring this side project to life?

The hardest part was actually keeping it simple. I sort of figured out what Type Sample was through the act of building it. There have been many “cool” features (like a full WYSIWYG editor) that I’ve added and ended up tearing out along the way to keep it focused on identifying and sampling web fonts.

You have some coding ability I know, but did you deliberately set out to code it yourself?

It’s been a completely iterative process. I built the bookmarklet with my pretty limited coding skills by just hacking away. I ended up on Stack Overflow quite a bit during the process.

But I’ve had a lot of help too. After I had the bookmarklet working, a friend, Jake Levine, helped me put the initial Web app together. That was a cool moment because I saw that it had potential to be more than just an isolated tool. Then another friend, Paul Barnes-Hoggett, a really talented programmer, rewrote a lot of our code to make it more stable and easier to build on. Paul and I now have a long list of things to improve and add, especially on the data side.

Does that mean that you see Type Sample as a business, or is it a long-term passion project?

It’s been a hobby thus far, but the response from other designers who’ve been using Type Sample has been really positive and many of them have encouraged me to charge for it. For now, I’m hoping to cover the cost to keep the site running, but I can forsee it becoming a business down the line.

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Monochrome Web Browser

Monochrome is an OS X Web browser with a fixed viewport that matches the resolution of an iPhone 5; it basically puts a mobile browser on your desktop. It’s hardly an earth-shattering idea, but even in its simplicity I think it’s quietly profound. It can be really difficult to think about the mobile web when you’re staring at the desktop web all day. Putting a company’s mobile site right in a window alongside all the windows on your desktop can be transformative for organizations still struggling with that transition.

Monochrome
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Sigelock Spartan Fire Hydrant

The Sigelock Spartan is the first major redesign of the fire hydrant form factor to gain traction in over a century. It was inspired by the surprisingly common failure of traditionally designed fire hydrants at times of peril. The Spartan replaces cast iron with a mixture of stainless steel and ductile iron, which purports to be much hardier in corrosive conditions. The creator claims that it’s designed to “last two hundred years maintenance free.”

Sigelock Spartant Fire Hydrant

The design is elegant if a little unorthodox; it seems a shame that the new form couldn’t retain a closer lineage with traditional fire hydrants, but the new one has a unique, friendly elegance nevertheless. There’s also a nice bit of DNA in the design, as the founder of Sigelock Systems, George Sigelakis, was a New York City firefighter for fifteen years, proving that not everything has to be designed by art school graduates. Read more at Fast Company.

Thanks to reader Adrian Ulrich for the tip.

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Libertad

Last December I wrote about Uruguyan type designer Feranando Díaz’s Fénix typeface, which he offers as a free download from his company TipoType. Fénix is beautiful though alas it comes in only one weight; there is no bold, light, medium, italic, etc., not even to purchase.

Thankfully, Díaz also has several full-featured typefaces available for purchase and they are even better than Fénix. This one, Libertad, is particularly attractive. It caught my eye before I even realized it was from Díaz. He describes it as “mixing stability and movement,” which is evident in the way it carries graceful swoops among its straightforward, handsome strokes. Right now the entire Libertad family of fourteen fonts is on sale for just US$30 over at the designer resource You Work for Them

Libertad
Libertad
Libertad
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