Stream Larry Clark’s Latest Film in the Next 24 Hours Only

Ratings

2 of 5 stars
What’s this?

Photographer and director Larry Clark’s new film, “Marfa Girl,” is pushing the envelope on digital distribution. Not only will it not be screened in theaters, but it won’t even be available on Blu-Ray or DVD either. You can stream it from Clark’s Web site for US$5.99 — but only for twenty-four hours, starting about two hours ago. After that, it’s gone, or so Clark claims. I find it hard to believe that “Marfa Girl” won’t eventually show up on disc or become continually available for paid download or streaming at some point in the future, but as marketing gimmicks go, this one caught my attention, anyhow. Read more about it at Slashfilm.

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Bloc for Apple TV

Ratings

2 of 5 stars
What’s this?

This attractive storage compartment for both the Apple TV and its accompanying remote control is made of solid wood and aims to remedy a very common drawback of digital hardware: it often weighs so little that it’s hard to keep in place. I find that this is true of lots of network hardware: my cable modem, for instance, is so physically sleight that it gets nudged out of place by the inflexibility of its own coaxial cable. The weight of the bloc, along with the grips attached to its bottom, are intended to prevent that kind of slipping.

Bloc for Apple TV

Blocs come in cherry, hard maple and walnut. You can buy yours at Blocs.tv.

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The People vs. James Bond

Last weekend I went to see “Skyfall,” the twenty-third entry in the now fifty year old James Bond franchise.

As an action film, it’s more than adequate, thanks largely to its overqualified crew: it was directed by Oscar winner Sam Mendes, whose name few people expected to see attached to popcorn franchises like this, given his past highbrow features like “American Beauty” and “Revolution Road.” I’m not a big fan of those movies, but they’re easily better entertainments than the majority of what has been issued under the 007 moniker through the decades.

Just as meaningfully, “Skyfall” was shot by one of today’s most accomplished cinematographers, Roger Deakins. The first half of the film features a fight sequence in a Shanghai skyscraper that, thanks to Deakins’ almost audacious stylization, surely qualifies as the most visually stunning Bond scene since Honey Ryder emerged from the sea in “Dr. No.” On its own, it’s almost worth the price of admission.

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Evernote Alone

Evernote 5 for iOS is new and available in the App Store today. It sports a revised, beautifully executed user interface with a clever, smoothly animated ‘stacked cards’ metaphor. So far, I find it very impressive, especially for an application that has always been, in my view, more useful than elegant.

Evernote 5

Don’t get me wrong. I’ve been a happy Evernote user for some time (since finally giving up the ghost on Yojimbo&#41. It’s true that the product has always struggled with a certain level of awkwardness, but that hasn’t diminished its utility. Evernote is pretty much the only game in town if you want a well-maintained, truly cross-platform note-taking and random bits-collecting app backed by a robust, reliable cloud service. There’s nothing out there that compares.

Why is that, I’ve often wondered? It seems to me that being able to jot notes down quickly and stash away assorted and sundry snippets, pictures and documents, and have them all transparently and instantly synchronized over the Internet would be one of the most universally sought after software solutions out there — and would therefore inspire lots of competition.

Of course, when I write it out like that, it does strike me that it’s a tall order to build such a product. Evernote is not just an app, after all. It’s a full-scale service, too, and replicating even just a few of its client apps would be a major undertaking, to say nothing of building a comparable cloud service. Still, I know I spend a tremendous part of every day in Evernote (I used it to draft this blog post, in fact) and consider it indispensable. I know lots of Evernote users who also feel the same way, and don’t hesitate to tell everyone they know about it. You would think someone else out there would want a piece of that business too.

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New York Magazine: The City and the Storm

New York Magazine: The City and the Storm

New York Magazine’s 03 Nov issue is easily a contender for cover of the year: a startlingly expansive shot of Manhattan last week, in the wake of Hurricane Sandy. The shot, taken by Dutch photographer Iwan Baan, captures the eerie darkness that cloaked downtown Manhattan, which went without power most of the week. The magazine’s editors discuss their coverage of the storm and the cover image over at NYMag.com.

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A Prediction about Presidential Predictions

Tomorrow is Election Day, so get out there and vote. Barring any major polling malfunctions, by the end of the day we’ll finally have an answer to the question of who will reside in The White House for the next four years. Almost as interestingly, tomorrow could also mark a definitive change in the way we look at Presidential campaigns, potentially for decades. In particular: if Nate Silver’s ongoing, deeply statistical analysis of the race at Fivethirtyeight turns out to be an accurate predictor of the final outcome, it may alter political punditry for a long, long time.

If you’re not familiar with Silver’s work, it’s probably a reasonable if gross characterization to say that he is a kind of ‘meta-pollster.’ Each day, he surveys the most recent state and national polls, aggregating their results using a sophisticated — but proprietary — statistical model that accounts for such factors as polling methodology, past accuracy and tendency to favor one party or another. The result is what some believe to be an exceedingly accurate picture of who is ‘winning’ at any given stage of the campaign — and, of course, a prediction of who will actually win at the close of Election Day.

Silver began doing this work in the lead-up to November 2008, and produced eye-popping results. His model correctly predicted the winner of forty-nine of the fifty states in the presidential election, and all thirty-five of the senate races held that year.

Whether that was pure luck or not is the question that will be answered when the results of tomorrow’s election are in. If his predictions are largely accurate, it will go a long way towards validating Silver’s approach. It’s my feeling too that if that happens there’s no going back; in at least the next few election cycles, you can expect to see much more attention paid to this sort of statistical evaluation of a campaign’s progress.

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