This Could Be Google’s Design Moment

Last week’s news that Apple CEO Steve Jobs is taking a medical leave of absence led many people to wonder whether the company truly has a vision that will sustain it in his absence. I happen to think that in the short term, at least, Apple will be just fine, but it’s interesting to note that implicit in this worry is whether Apple’s singular attention to good design will continue to prosper. Which is to say, perhaps the paramount anxiety surrounding Jobs’ leave — and his inevitable departure, whenever that is — is whether it represents the point at which Apple’s ability to design wonderful products went on the decline.

It’s true that when visionaries leave a company, a lot can go wrong, though of course right now it’s impossible to know for sure what will happen. But by the same token, major shifts in leadership are also an opportunity for a company’s design acumen to improve.

This is what I’m hoping happens over at Google where, as also reported last week, Eric Schmidt is handing over the reins to co-founder Larry Page. Page is an engineer, of course, and quite private, so I have no particular insight as to whether he has any meaningful appreciation of design. But as a founder he has a unique power to influence the priorities at his company, and as the new CEO he has a unique opportunity to imbue his organization with a new design sensibility. If he wants to.

And hopefully he does. Few companies seem to understand the concept of design so cannily and yet so incompletely as Google does. It’s abundantly evident that they pay exceedingly close attention to usability and they slave over getting that right. And yet the total, intangible effect of their hard work is little more than the sum of its highly efficient parts. Google products are rich with design intelligence, but they also suffer from a paucity of design inspiration. They could be so much more than they are — they could be surprising, witty, fun and, yes, they could be truly beautiful. (Read former Google designer Doug Bowman’s notes on this for added perspective.)

We tend to think that design is a function of good process, well-structured organizations, and copious time and budgetary resources. But design is just as much a function of leadership. Who’s in the top seat matters very much to whether a company can design well. If the leader cares passionately about producing amazingly well-designed products, then you can get a string of indelible successes that capture the popular imagination like we’ve seen at Apple for the past decade-plus. We haven’t seen that kind of result from Google during that same span of time, though. Beyond the iconic minimalism of the original Google home page, not one of their subsequent products has truly inspired us. I hope that Larry Page realizes that, with the resources and design talent he probably already employs, there’s no reason that has to continue to be the case.

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Museum of Modern Art Acquires 23 New Typefaces for Permanent Collection

Ratings

2 of 5 stars
What’s this?

The brand of typography that I ‘grew up with’ is becoming a matter of the historical record. Curator Paola Antonelli writes:

“This first selection of twenty-three typefaces represent a new branch in our collection tree. They are all digital or designed with a foresight of the scope of the digital revolution, and they all significantly respond to the technological advancements occurring in the second half of the twentieth century. Each is a milestone in the history of typography. These newly acquired typefaces will all be on display in “Standard Deviations,” an installation of the contemporary design galleries opening March 2.”

There are some worthy additions, but there are some — like Verdana — that I’m less than fond of. Of course, that doesn’t mean they’re not historically significant. Read the announcement here.

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New Yorker: Atul Gawande on Cutting Health Care Costs

Ratings

4 of 5 stars
What’s this?

Last week’s issue of The New Yorker features another installment in staff writer (and surgeon) Atul Gawande’s ongoing reports on the cost of health care. It’s called “The Hot Spotters,” and it’s well worth a read. Gawande looks at individuals and organizations who have already taken the initiative in meaningfully reducing health care costs by focusing on the surprisingly slim fraction of health care consumers — as little as one percent — who can drive a shockingly huge portion of total costs — as much as thirty percent. Profiling Jeffrey Brenner, a doctor in Camden, New Jersey who and took a statistical look at how health care was distributed across that city, Gawande writes:

“He found that between January of 2002 and June of 2008 some nine hundred people in [just] two buildings accounted for more than four thousand hospital visits and about two hundred million dollars. One patient had three hundred and twenty-four admissions in five years. The most expensive patient cost insurers US$3.5 million.

“Brenner wasn’t all that interested in costs; he was more interested in helping people who received bad health care. But in his experience the people with the highest medical costs — the people cycling in and out of the hospital — were usually the people receiving the worst care.”

It’s an eye-opening report that shows how fundamentally broken the health care system is in the United States. New Yorker subscribers can read the article online for free here, but others are locked out, unfortunately. As a consolation, Gawande’s highly influential 2009 report, “The Cost Conundrum” is also available and also completely fascinating.

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How Disney Won the War

Ratings

3 of 5 stars
What’s this?

During the Second World War, Walt Disney Studios designed over 1,200 insignias for military units — the 503rd Parachute Battalion, the 74th Field Artillery Battalion, the U.S.S. Hornet, etc. — as a way of showing support for fighting troops. The historical record for these designs has been scant, but the Disney-focused blog 2719 Hyperion has unearthed this incomplete catalog of many of them. They’re uniformly fantastic.

Interesting to note, though not reflected in what 2719 Hyperion was able to dig up, is the fact that Donald Duck was the most popular character, having appeared in over two hundred designs. I guess no one wanted to be the Mickey Mouse battalion. See all forty of the found designs here.

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Noir City Film Festival 2011

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4 of 5 stars
What’s this?

Last year I told myself, “I really, really want to go to next year’s Noir City, the annual San Francisco film noir festival. Sadly, there’s nothing quite like it in New York, as far as I know: ten days of screenings — twenty four movies — from the golden age of noir filmmaking. Several of these classic flicks have been newly restored, and all have been impeccably curated by The Film Noir Foundation. I’ve really become fascinated by this genre in recent years, and I can’t get enough of them.

Alas, this year’s festival kicks off tonight and runs through 30 Jan, but I won’t be able to make it. Next year, I gotta figure out a way to be in the Bay Area during the week when this happens. More information here.

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HTML5 Logo Animated…in Flash

Ratings

1 of 5 stars
What’s this?

A friend of mine put together this animation of the new HTML5 logo animated — with irony — in Flash. It got a lot of chuckles on Twitter so I thought I’d link to it here for good measure. (Anecdotally, it’s apparently crashed more than one user’s Web browser out there. Perfect.) See the animation here.

Thinking more about the logo itself, I’ve become increasingly perplexed about why the W3C and its designers, Ocupop, decided to make the “HTML” and the “5” two distinct elements, rather than joining them together. To date, the people behind this specification have gone through reasonably significant efforts to make it clear that the proper style for citing it is as a single unit, sans space. It’s “HTML5,” not “HTML 5,” right? Am I missing something? (I’ll admit, I’m not as fascinated by the narrative around these specifications as a lot of designers are.) Anyway, if that singularity is what they’re going for, it seems like an error in judgment to design a logo that doesn’t acknowledge it, that even suggests that the two elements can be broken apart.

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Mad Men’s Furniture Showroom

Part of the awesome responsibility inherent in having your own blog is admitting when you’re wrong. People should do it more often, including me. So here goes: I was wrong about “Mad Men,” cable television’s zeitgeisty dramatization of life in the American advertising industry at its mid-century peak. I originally pegged it as being tedious and overblown, but now, having just caught up with all four of the seasons that have aired to date, I have to correct the record and say that it is not tedious at all, and that it is in fact, a very, very good show.

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A Logo for HTML5

Ratings

3 of 5 stars
What’s this?

The W3C unveiled an attractive new logo for HTML5 today. It’s nicely done work from a boutique studio I’m not familiar with called Ocupop. Don’t miss the interview with Michael Nieling, the creative director from Ocupop, as well. Overall, my only complaint is that the “HTML” part of the logo is apparently optional, as several versions of it feature just the “5” within its shield; to me that assumes a little too much that people really understand what this brand is or will be. That said, the logo page is terrific, providing all sorts of info and downloads, which is what every new logo should offer, in my opinion.

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