UNICEF Landmine Awareness Stickers

Ratings

2 of 5 stars
What’s this?

These camouflaged stickers were placed on sidewalks so that they would stick to the soles of unsuspecting pedestrians’ shoes. The randomness and ease with which passersby picked up the stickers simulates an accidental tripping of a landmine — without the destructiveness, obviously. The copywriting could be a little gentler, but overall it’s a smart idea. Via Capn Design.

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Collateral Damages at SXSW

Sketch of a Conference Schedule BookletThere are a lot of interesting ideas that I heard at this year’s South by Southwest Interactive festival that I’m still turning over in my head even now, a week after the conference ended. But silly as it may seem, the one thing I really can’t stop thinking about is how bad the conference schedule, map and badges were this year.

I don’t mean to impugn the hard work that went into designing and producing those printed collateral items, or to underestimate the crazy logistics and coordination that must have been necessary to get them written, designed, printed and into conference-goers’ hands on time. Nevertheless, I found them basically unusable. They were awkwardly sized and awkwardly conceived; once you decoded the hard-to-read sessions schedule, for instance, you’d have to refer to a map that failed to carry over any recognizable color-coding — and was printed upside-down. I’m sure my blood pressure went up a bit every time I had to refer to them.

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In Today’s Times

Fun fact: page A20 of today’s New York Times features an illustration that I did for the letters column. It’s my first illustration to appear in the paper — not that I really consider myself an illustrator, but I did study the trade at art school, so I’m pretty happy when I can provide some resolution to those hopeful early years of dreaming about appearing in the Times. This piece accompanies reader letters responding to an article that ran on 18 Mar about jurors triggering mistrials through unauthorized use of search and social media. It’s a simple idea executed as simply as I could manage.

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Black Dogs Face a Hard Choice at Shelters

Ratings

4 of 5 stars
What’s this?

If you’re considering adopting a dog anytime in the foreseeable future, you might consider helping to counteract a terrible trend at animal shelters: large dogs with black coats, when given up for adoption, are euthanized at a much higher rate than smaller or fairer-coated dogs, essentially because the public have an irrational fear of them.

“‘Please don’t overlook our black dogs,’ rescue groups pleaded on their home pages above pictures of Rottweilers, Chows and Labs sporting bright bandannas. One shelter’s website just came right out with the grim truth: ‘The general public is not aware of how doomed black dogs are when they are brought to a pound.’…

“Most black dogs have to rely on shelter staff and volunteers to steer potential adopters their way. And indeed, many shelters take extra steps to make black dogs more adoptable, according to Kate Pullen, director of animal sheltering issues at the Humane Society of the United States in Washington, D.C. Teaching the dogs tricks, putting placards on kennels highlighting the dog’s personality (‘I may just be a black dog, but I know how to balance a biscuit on my nose.’), making sure multiple black dogs aren’t kenneled next to one other — anything to catch the eye and imagination of potential adopters.

“‘I’ve had to turn away many black dogs because I can’t fill the place up with them,’ says Jill Wimmer, shelter manager at PAWS Atlanta, that city’s oldest and largest no-kill shelter.’ And every one I turned away had a great temperament.”

Sorry, just a little bit of off-topic editorializing there.

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Patrick Thomas at The New York Times

Oof, I’m embarrassingly late on posting about this: English-born, Barcelona-based illustrator Patrick Thomas will be featured in a one-man exhibition at The New York Times building here in New York City.

This is something that is going to happen very soon. And when you see me say “very soon” in this context, you should read that as “The show’s opening reception is tonight, at 7:00 PM, hors d’œuvres served.” So if you’re here in the city and have a penchant for gorgeously screened, conceptually challenging graphic design as commentary, you should R.S.V.P. and come on by, meet the artist and mingle a bit with the Times art department. I’ll be there.

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